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Tuning the Senses

joe dannelley, saltonstall operations director
FROM THE VERY FIRST DAY, in 1979, that I started working for
Connie and her mother, Nancy, I have taken care of the land. Mowing
lawns and fields, weeding, pruning, clearing the hiking trails,
looking after basic building maintenance and a number of other
tasks that have kept me involved with this property. What makes
this land unique is the mix of wooded hills, open rolling fields,
ponds, marshes, hedge rows and brush patches. Over the years I
developed a concern for the vegetation, the wildlife and the ground
and water that supports it all. Every plant and creature contributes
a thread to this 200-acre eco-quilt. I’ve tried to be a good
steward of this land and the ecosystem it supports.
I’ve
tried to be a good steward of this land and the ecosystem it supports.
The sense of stewardship doesn’t come from a large scale view
of this place. It grows from the details. The Bluebirds picking
out their nest site in the spring; the Redtail Hawk surveying the
fields from a lofty perch or giving out a screech as he circles
overhead; the Phoebe that nests on the light outside the kitchen
window every year; the slow, deliberate summer flight of a Blue
Heron with long legs trailing, headed to one of the ponds for lunch;
the rare sound and sight of a Piliated Woodpecker or the swirling
acrobatic flight of the Barn and Tree Swallows as they pick off
insects stirred up by mowing the fields. Then there is the fall
collection of Redwing Blackbirds that pass in a seemingly endless
stream and the Turkey Vultures that use the colony railings as
a perch and stare through the window at the writer working inside.
Every tree wears its history and offers its special style to those
who see the tree instead of the forest. From the 330 year old White
Oak that grew along a field edge and was able to stretch its mighty
limbs in all directions before the fifty year old Johnny-come-lately
trees grew up around it; to its tall, straight cousin that grew
in the competition of the deep forest. Here a tree zig-zagging
to the sky, broken over in the distant past by wind or heavy snow,
but continuing to push for the sun. There a Hickory with long peeling
strips of bark, that look like they can’t decide whether
to stay or leave. From my office window I can see the large White
Pine that grows along Alice’s drive. It stands alone, facing
the elements without the mutual protection of other trees. Every
year the wind and snow take a few branches and the insects try
to stop its growth but it continues to stubbornly resist.
There are so many examples. The pungent odor of ferns that a doe
uses to help hide her fawn; the moss covered log that is now the
home for a Chipmunk or Raccoon; the tiny but brilliantly colored
Pink blossom; or the Tree Frogs with their shiny tan skin and black
masked eyes; and the elemental thrill of seeing a Coyote jog past
the office, radiating the threat of a hunter, tuned to the slightest
change in wind, scent or motion, ready to instantly respond to
a chance for food or the danger of man. In the woods you find the
large patches of leaf litter thrown about by the Wild Turkeys in
their endless foraging for acorns and the mounds and dips caused
by the root masses of toppled trees that rotted away long ago leaving
the mounds as markers for their graves. True stewardship is watching
the carpenter bees drilling their precise holes in the building
trim and only having a sense of amazement at their ability and
quick adoption to our intrusion.
When I give my nature walks I try to remember to tell the residents
to tune their senses; to listen to both close and distant sounds;
see the overall picture but not miss the detail; to understand
that recognizing a particular tree is no different than recognizing
another human; and that reading nature is like reading a Starbucks
sign, you just have to learn the language.
Connie had an affinity to the land. The primary thing that she
wanted from her mother’s estate was the many acres of woods
that are now part of the colony. I remember the long hours she
spent finding the right spot on the property to build her home.
I can still picture her sitting at various places in the fields,
considering the light, views and “feel” of each location.
Her gift gave other artists a chance to experience her sense of
place here and I believe they have. And I hope they go away with
at least some sense of stewardship for the world that struggles
to tolerate our presence.
The members of the board haven’t enjoyed the long and close
relationship with this property that I have but they still understand
its magic and know that it must be protected for the generations
of artists yet to come.
JOE DANNELLEY, the Operations Director, is a fine naturalist and
has a keen eye for photography. Joe has been a part of the Saltonstall
family for nearly 30 years.
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