Mar 5, 2009
“The labor-intensive and meditative process is employed to highlight and pay homage to individuals and everyday activities of life. In framing art-production as labor, the discourse of my work derives not only from formal decisions but rather metaphysical...
Mar 5, 2009
“My current atmospheric geometric abstractions have their roots in a series of observational paintings of trees. As my interest in making the space in the paintings thicker and more tangible increased, the trees slowly began to dissolve.” ...
Mar 5, 2009
“My work makes room for the viewer as a participant in and interpreter of events, not simply as the passive recipient of completely formulated experiences. This role for the viewer is crucial as it encourages an activated subject, willing to engage art, and by...
Mar 5, 2009
“An almost unimaginably slow process of drawing transforms a speedily gained and often disregarded image into a meditative, expansive experience. Microscopic observations accumulate and develop into unpredictable connections. References are made to landscape,...
Mar 5, 2009
“As a sculptor, I seek to understand stone – what it’s made of, how it came to be, who has used it and why I do so again. I break stones – I place them: my work conflates a specific space, a chosen stone and decisive breaks. Sculpture has the potential to create...
